Skip to main content

Universal Truths And Cycles

By: Guided By Voices Appears on: Universal Truths And Cycles The title track from Universal Truths And Cycles features a Robert Pollard guitar technique that I call “Barre Four.” This consists of barring (pressing down multiple strings at once across the same fret) across four consecutive strings. In some cases (as with “Downer” or “My […]

Read More

Volcano

By: Guided By Voices Appears on: Surrender Your Poppy Field Guided By Voices guitarist Doug Gillard spices up the “quiet verse/loud chorus” dynamic of “Volcano” with a few cool guitar moves. During the verses, he plays a sparse open string drone figure, leading to explosive power chord choruses. You need to be logged in to […]

Read More

Cul-de-Sac Kids

By: Guided By Voices Appears on: Surrender Your Poppy Field With all his years of songwriting experience, Robert Pollard shows us yet again that he still knows how to write a song that’s just plain fun. “Cul-de-Sac Kids” begins with gentle acoustic guitar strumming, bursts into power-chord poppiness, and ends with whistling over a string […]

Read More

Always Gone

By: Guided By Voices Appears on: Surrender Your Poppy Field For Surrender Your Poppy Field, Guided By Voices really ran the gamut production-wise. There are songs with sleek, shiny production like its predecessor Sweating The Plague on one end of the spectrum. On the other end, we have a song like “Always Gone,” which sounds […]

Read More

Useless Inventions

By: Guided By Voices Appears on: Earthquake Glue In “Useless Inventions,” Robert Pollard crafts a verse chord progression using a fifth chord shape (root note and fifth note) on the fourth and third guitar strings combined with a technique he frequently uses which I’ve nicknamed “Drop The Bass.” You need to be logged in to […]

Read More

Tractor Rape Chain

By: Guided By Voices Appears on: Bee Thousand One of the Robert Pollard guitar techniques I mention frequently on this site is one that I call “Floating Chord Shapes.” This involves taking an open position chord shape and playing it elsewhere on the guitar neck. In the case of “Tractor Rape Chain,” Pollard crafts a […]

Read More