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Recovering

By: Robert Pollard Appears on: From A Compound Eye “Recovering” provides Robert Pollard’s From A Compound Eye with a stellar closing track. It starts off with a gentle acoustic finger-plucked verse riff, then blasts into heavy chords for the chorus, using Pollard’s signature two-note chords: a fretted note on the sixth string played along with the […]

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Striped White Jets

By: Guided By Voices Appears on: Alien Lanes Some of the earlier Guided By Voices recordings occasionally sound very “thrown-together,” don’t they? There are several songs on Alien Lanes, for instance, that make me wonder if the band ever actually rehearsed the song or if Robert Pollard just picked up a guitar, started recording, and then […]

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Holy Rhythm

By: Guided By Voices Appears on: Zeppelin Over China “Holy Rhythm” might be one of the heaviest-sounding songs on Zeppelin Over China, at least in terms of guitar tone (as well as drummer Kevin March’s incessant pounding on the toms). To my ears, it sounds like a wall of fuzz that’s at least three feet […]

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End It With Light

By: Guided By Voices Appears on: Warp And Woof Robert Pollard has a knack for masterfully sequencing his albums and always seems to pick a perfect closing track; “End It With Light” on Warp And Woof is certainly no exception. In this post, we’ll take a look at the chords and guitar tablature to play it. […]

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Lord Of Overstock

By: Guided By Voices Appears on: Under The Bushes Under The Stars “Lord Of Overstock,” originally appearing on Under The Bushes Under The Stars in 1996, has been in regular rotation in the Guided By Voices set list at live shows since guitarist Doug Gillard rejoined the band in 2016. It even earned a spot […]

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Low Flying Perfection

By: Guided By Voices Appears on: How Do You Spell Heaven “Low Flying Perfection,” for me, is a high point of How Do You Spell Heaven. It’s a perfect example of Robert Pollard’s more “mature” songwriting at play; but also, the dynamics between the louder and quieter parts of the song and the superb vocal […]

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