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Mr. Child

By: Guided By Voices Appears on: Styles We Paid For In this post, we’ll take a look at the guitar tablature and chords for “Mr. Child” from Styles We Paid For. Besides the killer opening riff, there are a lot of fun guitar parts throughout the song to keep things interesting. You need to be […]

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Roll Me To Heaven

By: Guided By Voices Appears on: Styles We Paid For There’s a lot to love about “Roll Me To Heaven,” at least from this guitar-player’s perspective. It features quite a few interesting chords, several distinct sections, and an ending that contains an unexpected chord change and arpeggio, in true Robert Pollard fashion. All these elements […]

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Endless Seafood

By: Guided By Voices Appears on: Styles We Paid For The main guitar riff in “Endless Seafood” uses a Robert Pollard guitar technique of playing a common chord shape—in the case of this song, an open Em—in different spots of the guitar neck. This is a bit different from the “Floating Chord Shape” technique I […]

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Port Authority

By: Robert Pollard with Doug Gillard Appears on: Speak Kindly Of Your Volunteer Fire Department “Port Authority” is one of the tracks on Speak Kindly Of Your Volunteer Fire Department for which Doug Gillard, not Robert Pollard, wrote the music. This song uses an alternate guitar tuning and lots of arpeggio. You need to be […]

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The Very Second

By: Guided By Voices Appears on: Sweating The Plague “The Very Second” is a high-energy number on Sweating The Plague with not too much fancy guitar work going on for the rhythm guitar. But there is a fantastic guitar solo by Doug Gillard, as if you’d expect anything less than “fantastic” from him. You need […]

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Angelic Weirdness

By: Guided By Voices Appears on: Warp And Woof “Angelic Weirdness” is played with lots of open guitar strings with mostly common chord shapes. Even the ones that are somewhat unconventional are fairly common in Robert Pollard compositions, so they’re good to know. And how about that Mark Shue bass line during the second verse? […]

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The Enemy

By: Guided By Voices Appears on: Isolation Drills In “The Enemy,” Robert Pollard dips into his arsenal of guitar writing techniques and pulls out a little bit of everything: a heavy, bottom-string guitar riff that’s played during the verses, a gentle arpeggio riff during a quiet section of the song, and a floating chord shape […]

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I Can Illustrate

By: Robert Pollard Appears on: Of Course You Are Back when I tabbed out Ricked Wicky tune “Map And Key” for this website, I shied away from attempting to transcribe Nick Mitchell’s excellent guitar solo, despite it being one of my favorite guitar parts from any Robert Pollard-related project. For “I Can Illustrate,” I took […]

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